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| 1969 |
Aria Concertata* |
large orchestra |
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Rehearsed by the North Central High School Orchestra,
Indianapolis, 1969. My parents had kept this score, but on their death it couldn't be located. |
|
| 1969 |
From the Sea* |
song for soprano and piano |
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A dreadful high-school attempt at a Schubert-style art song, for Nancy (Rogers) Camish. Lost. |
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| 1969 |
Symphony in C Minor* |
large orchestra |
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How I spent my Senior year in high school. Abandoned after my first lesson with Briccetti. Kept at my parents house but lost at some point. |
|
| 1970 |
Sonoratorium* |
5 percussionists |
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Based on poems by Ken Hixon, a high school classmate, the words are spoken by the players. Premiered DePauw University, Greencastle
(IN), 1971. Also performed at Paul Recital Hall, Juilliard, New York. Score and premier recording lost. |
|
| 1971 |
Cannabis Saliva (rev. 1973) |
harp, 4 percussionists |
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Original version for 4 percussionists premiered at Juilliard School, New York, February 14, 1972, John Melcher conducting. Revised version premiered at Indianapolis Art Museum, May, 1975. Original score lost. |
|
| 1972 |
O Christmas Tree |
clarinet, trumpet, harp, piano. violin |
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Never performed, heavily influenced by my first meeting with Iannis Xenakis. Eliot Carter hated it. |
|
| 1972-74 |
Psilocycles |
chamber orchestra |
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Premiered by the Fort Wayne (IN) Philharmonic, Orchestra,
12/7/74, Thomas Briccetti conductiing. Only performance. One page was licensed to Indianapolis SYmphony Orchestra to print as gift-wrapping paper,. A recording was made but is lost. One page of the score was licensed to the Indianapolis Symphony Committe to make gift-wrapping paper. |
|
| 1975 |
From Wood and Metal |
chamber orchestra |
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Editioni Suvini Zerboni (BMI) |
Premiered in Indianapolis, May 1975, Alfred Savia conducting. Won Premio Angelicum Milano second prize and performed in Milan, 1975. US premiere in Indianapolis, May, 1975. |
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| 1975 |
Cardioid |
28 performers |
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My brief foray into improvisational performance ala Cage (click on
the link to see score example). Never performed. |
|
| 1975 |
Spatial Construction after Rinaldo
Paluzzi |
chamber orchestra |
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Premiered DePauw University, Greencastle (IN) 1975. Inspired by paintings of Rinaldo Paluzzi that I saw at an Indianapolis Museum of Art exhibition. |
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| 1975 |
Pneumes |
organ |
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Written for an organist in Indianapolis but never performed. |
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| 1975 |
Kallirophon-B |
string quartet |
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Premiered San Francisco Contemporary
Chamber Players, 1976. |
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| 1975 |
Mass* |
chorus, organ,
8 inst. |
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Written for a contest in Minnesota (I didn't win). Never performed. Lost. |
|
| 1975 |
American Bicentennial Epicycles 1 and 2* |
voices |
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Inconsequential performance art, mainly an artistic comment on US composers slurping up Bicentennial commissions. Never performed. |
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| 1976 |
Kallirophon-D* |
orchestra, chamber ensemble, string quartet |
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I have no idea what happened to this work. Never performed. Lost. |
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| 1977 |
Wedding Music* |
trumpet, organ |
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Processional and recessional composed for my first wedding. Score lost. Marriage dissolved. |
|
| 1977 |
Music For Two Keyboards* |
piano and electric piano |
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My first finished work influenced by "minamalism". Premiered Berkely, California, 1977. Score and recording lost. |
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| 1977 |
Tjelempung* |
electric guitar with (tape) delay line |
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Written for Dean Santomieri, but never performed, mainly because the tape delay delay was a theoretical design and never built. Score lost. |
|
| 1978 |
Magic Music #1* |
3 keyboards, bass guitar |
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Recorded at Mills College. Recording and score lost. Cannibalized for Drastic Measures. |
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| 1978 |
Magic Music #2* |
3 keyboards, bass guitar |
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Never performed. Score lost. |
|
| 1982 |
Music In Three Movements* |
alto saxophone, violin, electric guitar, piano |
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Premiered Berkeley, California, 1982. Score lost. |
|
| 1983 |
Graduale for Easter* |
chorus, organ |
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for Tabernacle Presbyterian Church, Indianapolis. Parts lost, possibly somewhere in the Church library, possibly on purpose. |
|
| 1983 |
Sounds Sirius |
Mountain Computer Music System |
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The "flip side" of my 1983 Drastic Measures cassette, 1983. Created with custom code that tells the MCMS to play extrmely high notes, causing aliasing (an artifact of digital sampling. |
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| 1984 |
Movement |
string quartet |
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Unperformed, but the fugue in the second half is used in Second Symphony, first movement. |
|
| 1985 |
Pieces of The Puzzle |
synthesizers |
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parts scavenged for Irreconcilable Differences and other works; other parts later discarded |
|
| 1985 |
RAMjam |
synthesizers |
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Premiered at a San Francisco outdoor arts festival, 1985. |
|
| 1985-6 |
Irreconcilable Differences |
soprano, synthesizers |
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Premiered at New Langton Arts, San Francisco, 1986, with Philip Aaberg and Pamela Z. It includes an arrangement of "Jesus Christ Is Risen Today, Alleluia" that caused a few audience members to walk out. |
|
| 1987 |
S.O.S. |
synthesizers, sounds |
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Written in Perugia at Thomas Briccetti's studio. He later used it in his oratorio Odysseus Returns, after which it became part of Eleven for Mister B (a memorial piece for Briccetti) and then Second Symphony, third movement. |
|
| 1987 |
Boise Noise Annoys an Oyster |
synthesizers |
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Originally the Duet from Irreconcilable Differences and later to become the Second Movement of the Second Symphony. |
|
| 1989 |
Drastic Measures (1989 version) |
piano solo |
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Premiered by Philip Aaberg, Los Angeles, 1989 |
|
| 1987-94 |
El Salvador Dali Llama |
synthesizers, sounds |
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Never performed, released privately in 1994. |
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| 1999 |
Angel |
voice, flute, guitar, bass, percussion |
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An experiment with the Band In A Box software. |
|
| 2002 |
Singapore Digijam |
synthesizers, percussion |
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Lomluka Music (BMI) |
Electronic realization from a performance at a 2001 trade show in Singapore. |
|
| 1977-2003 |
Drastic Measures, an
Electric Symphony |
synthesizers, electric guitar |
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Lomluka Music (BMI) |
The original version, for Mountain Computer Music System, was released n 1983. A MIDI version was premiered at New Langton Arts, San Francisco in 1987. The final version was completed 2003. The master MIDI files are lost; only the final recording remains. |
|
| 1981-2004 |
A Full Quarter Hour |
synthesizers |
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Lomluka Music (BMI) |
Unreleased. Basically the left-over pieces from Drastic Measures. |
|
| 1999-2004 |
Eleven for Mister B |
orchestra |
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I wrote this when Briccetti died but never showed it to anyone, concerned it might seem exploitive. Became movement III of Second Symphony. |
|
| 2004 |
The Unquestioned Answer |
jazz ensemble |
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Lomluka Music (BMI) |
soprano and tenor sax, tpt, electric gtr, electric bass, drums |
|
| 2004-5 |
Second Symphony |
Orchestra |
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Lomluka Music (BMI) |
2-2-2-2, 4-3-2-1, 5 percussionists,harp, piano strings (14-12-10-8-6). Never performed, recording unreleased. |
|
| 1987-2005 |
Ramwong Loi Krathong |
chamber orchestra, voices |
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Lomluka Music (BMI) |
An arrangement of a traditional Thai holiday song. Released on Digidesign holiday album, 2005. |
|
| 2004-5 |
Variations for String Quartet |
string quartet |
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Lomluka Music (BMI) |
Never performed, recording unreleased. |
|
| 2005-6 |
Threnody (for the Victims of Insanity) |
chamber orch, singers, tape, etc. |
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Lomluka Music (BMI) |
A ballet, with chanting singers onstage and a 4-channel recording. Never performed, recording unreleased. |
|
| 2009 |
Yo Tannenbaum |
4 Hammond organs, maracas, 2 violins, viola |
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A rather drastic arrangement of "O Tannebaum" |
|
| 2006-10 |
Play the Piano Drunk... |
male voice, chamber orchestra |
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Lomluka Music (BMI) |
Song cycle (12 songs plus an instrumental prelude and final fugue) based on poetry of Charles Bukowski. To be released February, 2011. |
|
| 2010 |
A Quickie for Paul Hindemith |
orchestra (2-1-1-1, 2-1-1-1, timp, percussion, strings) |
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|
a one-minute piece for the Vox Novus Orchestra 60x60 project. |
|
| 2011 |
Just A Minute |
violin, cello |
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composed for Zentripetal |
|
| 2011 |
Just Another Minute |
harp solo |
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composed for Alyssa Reit |
|
| 2011 |
Double Shuffle |
flute, marimba |
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composed for Laura Jordon & Sarah Carrier |
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* Lost or destroyed
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